![Luciano Pavarotti](http://image.tmdb.org/t/p/w92/daGUgvcYNUhRnrbsrlxae3d8KIA.jpg)
The opera s dramatic structure frames and enhances the characters. Scenes of magnificence regularly alternate with scenes of darkness and squalor. From sumptuous interiors, we move to a dark street, a lonely inn. The secondary figures are astutely counterpoised: the plotting courtiers against the plotting Sparafucile and Maddalena (also ambiguously tender-hearted). When Rigoletto says Pari siamo , he could be expressing the motto of the whole work: the beautiful and the ugly can be equally good, equally evil.